Kay is Not Guilty

This week, we looked at a very underrated PreCode film from 1931.  Guilty Hands  stars Lionel Barrymore as Richard Grant, a lawyer who discovers that his beloved daughter is engaged to Gordon Rich (Alan Mowbray), a client with a horrible reputation as a womanizer and abuser (Rich probably murdered his last fiance).  Grant tells Rich that if Rich continues with his plan to marry Barbara Grant (Madge Evans), Grant will kill him AND will get away with it.  He will make sure it is the "perfect murder".  

It's not giving too much away to reveal that Grant DOES kill Rich.  But from there, we will leave you in some amount of suspense.  Kay Francis is wonderful here as Rich's mistress, Marjorie West (this is a pre-code, after all), who loves him in spite of his engagement to Barbara (and fully intends to keep on seeing him after his marriage).  When Rich dies, Marjorie begins investigating his death.  With some interesting results.

Lionel Barrymore is fantastic.  He is sympathetic, and at the same time, sinister.  You want to root for him, but he is, after all, a murderer.  Yet he did it for a good reason. leading the audience to feel ambivalent about the conclusion.  It is also a plot that keeps you guessing, right to the very end.  Will Richard be caught? SHOULD he be caught? It's also fun to see Ms. Francis' Marjorie take command as an amateur detective.  Agatha Christie was just beginning to write Miss Marple in 1926 (but only as a short story in a magazine. She would not appear in book form til 1932).  One would need to go back, we suspect, to Wilkie Collins (The Lady and the Law, as well as The Woman in White) for an earlier female detective, so Guilty Hands heroine is quite a novel idea.

If you can see this picture, do so.  It is worth your time.  We think you will be surprised and will LOVE the ending.  We'll leave you with a scene from early in the film:

Kay Meets Edward G.

I Loved a Woman from 1933 features Edward G. Robinson as John Hayden, a would-be artist, living on his father's money in Paris, until his father's death.  He returns to America (Chicago, to be specific), and at the encouragement of the lovely Martha Lane (Genevieve Tobin), he assumes the responsibilities of running the company.  Once in business, John is no more a romantic artist, but a hard-headed, in fact cruel and dishonest, businessman.  As his marriage to Martha disintegrates (she pretty much married him for his money and power), he becomes romantically involved with Laura McDonald (Kay Francis), and the two begin a long-term affair. Meanwhile, John continues his ruthless business ways
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Edward G. Robinson is quite convincing here.  He is interesting as the romantic lead, for a change, but he is also, as we all know from his gangster work during this period, perfectly comfortable playing a not-very-nice guy.  As always, Kay Francis is great.  Her Laura loves John, but this is a Pre-Code movie, so her life style is, shall we say, rather risque.  And again, being that this is a Pre-Code film, our characters get away with things that, in another year, would result in their deaths or imprisonment.  

Probably this film is more interesting as a Kay Francis film than as a venue for Robinson.  Not that he is bad, but his character is just not really as interesting as it could have been.  He is so callous in so many ways, that it is hard to sympathize with him.  But there are scenes with Francis that are fun and interesting, so it is certainly worth a look.  And just to get you started, here is the trailer: