Torch Song (1953) marked Joan Crawford's return to MGM after
her years at Warner Brothers. However, she returned for a VERY strange
film indeed. She is Jenny Stewart, a temperamental stage star who
has alienated EVERYONE in the cast of her latest show, and has no
social life to speak of. Into her life comes pianist Tye
Graham (Michael Wilding), who was blinded in the war. He attempts to
humanize Jenny, whom he loves because "he knows what she looks like". Torch Song
seems most biographical in nature. From Jenny's dislike of any woman
she sees as competition to her passionate love affair with her fans, the plot seems to be borrowing from Crawford's own life. Did she know how close it would look to her public? One wonders...
Let's
just get past the black-face number right away. It is just stunningly
WEIRD. WHY they found it necessary to perform the song Two-Faced Woman
with Crawford done up as a mulatto with bejeweled eyebrows is
incomprehensible. In the 21st Century, one rather sits there going
"Huh??" And then there is the singing. A documentary on the DVD showed
Crawford testing the music in her own voice. Never really a strong
singer, age (and smoking) had destroyed with little musicality her voice
had in her youth. Thus, the producers were forced to substitute a
"ghost" singer for her. Want a glimpse? Here she is "singing" "Follow Me".
On the plus side, is her
relationship with her sister and mother. What at first seems like an
avaricious family living off their successful relative turns into
something much more complex. There is real love and pride of the mother
for her star daughter. And the sister, coveting Jenny's coat, beams
when Jenny relents and presents it to her: "Thank you, Jenny! I'll even
wear it to bed". she says as she leaves. Sure, they are not perfect;
but there is a love there, that we understand Jenny has ignored in her
climb to the top.
Be prepared if you decide to watch
this movie - it is NOT politically correct, but Crawford holds her own
here. And damn, has she got good legs!!
Next week, we go back to an earlier Crawford movie.
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