Carole Lombard's 1932 film No More Orchids is a delight
from start to finish. Wealthy Anne Holt (Carole Lombard) is used to
getting what she wants, until she meets Tony Gage (Lyle Talbot). He has
no money, and she is engaged to royalty, but love blooms, and Anne is
quite willing to give up her wealth and position to be with the man she
loves. But, there is a fly in the ointment - her grandfather (C. Aubrey
Smith), a rather malevolent individual who will use anything in his
power to manipulate Anne into wedding his choice - Prince Carlos.
The cast here is just magnificent, especially Louise Closser Hale as Anne's outspoken grandmother. Hale is an absolute riot, and makes the picture. From the second we see her, Ms. Hale steals the movie, and you look forward to her every appearance. Also wonderful is C. Aubrey Smith as Anne's nasty grandfather. The cameraman (Joseph August), has a field day, filming Smith at angles, and with lighting that make him appear as the devil. And Smith seems to relish the cruelty that Mr. Cedric delights in imposing on those around him. Finally, there is Lombard, who is just lovely as Anne. She is funny and sweet; running the gamut from spoiled brat to loving daughter, without being maudlin.
One interesting detail about the film is that it is a pre-code. That becomes apparent when Lombard spends the night with Tony, and he later makes a comment that casts aspersions on her "honor". (She has been forced to break up with him; he doesn't know why and believes she has been toying with his affections.) It's quite suggestive!
We strongly recommend this neglected classic. Here's a scene from the film:
The cast here is just magnificent, especially Louise Closser Hale as Anne's outspoken grandmother. Hale is an absolute riot, and makes the picture. From the second we see her, Ms. Hale steals the movie, and you look forward to her every appearance. Also wonderful is C. Aubrey Smith as Anne's nasty grandfather. The cameraman (Joseph August), has a field day, filming Smith at angles, and with lighting that make him appear as the devil. And Smith seems to relish the cruelty that Mr. Cedric delights in imposing on those around him. Finally, there is Lombard, who is just lovely as Anne. She is funny and sweet; running the gamut from spoiled brat to loving daughter, without being maudlin.
One interesting detail about the film is that it is a pre-code. That becomes apparent when Lombard spends the night with Tony, and he later makes a comment that casts aspersions on her "honor". (She has been forced to break up with him; he doesn't know why and believes she has been toying with his affections.) It's quite suggestive!
We strongly recommend this neglected classic. Here's a scene from the film:
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