On a recent trip to New York City, I was able to catch a screening of a documentary. Marsha Hunt's Sweet Adversity (2015) was directed by Roger C. Memos, and is a tribute to Ms. Hunt (who turned 101 October 2018) both as an actress and an activist. With interviews of colleagues, friends, and admirers, this film is a must-see for classic film aficionados, as well as individuals who work to make the world a better place.
Marsha Hunt was born in Chicago in 1917, and her family moved to New York City when she was a small child. After graduating from high school (Horace Mann in the Bronx), she had decided to pursue an acting career (Her family wanted her to attend college, but she felt it was a waste of time - she couldn't take any theatre courses until she was in her third year). Ms. Hunt started as a model; by 1935 she had signed an acting contract with Paramount Studios, where she was immediately cast in romantic lead roles. She grew bored with those kinds of parts, and asked Paramount for more character-driven stories. Paramount was not sympathetic; by 1938 she was no longer with the studio. She later signed with MGM, where among other roles, she appeared as Mary in Pride and Prejudice (1940).
Ms. Hunt discussed her disillusioning experience in auditioning for the role of Melanie Hamilton in Gone with the Wind (1939). Assured by David O. Selznick that he had "found his Melanie" after her audition, the following day the trades announced the casting of Olivia de Havilland. She also talked about her favorite part, the film that is often called the first movie to speak of the Holocaust, None Shall Escape (1944). Ms. Hunt recently discussed the film at the 2018 TCM Film Festival.
When the writers who would eventually be tagged the Unfriendly Ten were summoned to appear before Congress, Ms Hunt was part of the contingent - The Committee for the First Amendment - that traveled to Washington DC to stand in solidarity with them. As a result (and despite years of war-related work during World War II), Ms. Hunt was eventually blacklisted. During this period, she began appearing on Broadway, ultimately appearing in six plays between 1948 and 1967.
She also began working as an activist - first as a protege of Eleanor Roosevelt in support of the United Nations. Even today, at age 101, she continues to advocate in causes centered around homelessness, mental health, and hunger.
I felt privileged to be able to see this excellent film. Mr. Memos is still working to get venues to show it, and it should be seen, along with Ms. Hunt's wonderful films. We've discussed her in our comments on Lost Angel and Blossoms in the Dust, and hope to view more of her work. If you know of a venue that would be able to view the documentary, do contact Mr. Memos. A review of the film is available in the Los Angeles Times. Should you be able to catch a screening, please go - you're in store for a wonderful and enlightening experience.
During the political witch hunts of the past two years, anyone who admits to enjoying Russian dressing on their dinner salad or to listening to Rachmaninoff has been labeled by the left wing scolds as "someone who is COLLUDING WITH RUSSIA!" (LOL) Yet these same left wing scolds in 2019 have absolutely zero problem with ACTUAL Russia sympathizers who were embedded in the State Department during the decade following WW2. Most of them still refuse to acknowledge that Alger Hiss and the Rosenbergs were spies for Russia. The left wing scolds of 2019 also have zero problem with Hollywood types who supported Soviet communism during those days. The irony is biting.
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