Primary schoolteacher Jane Richards (Dorothy Dandridge) starts her first job at a rural school and becomes interested in C.T. Young (Philip Hepburn), a youngster with a history of underachievement in the school - now in 4th grade, C.T. has been left back in every grade. Determined to find something that will interest this child, Jane begins to find ways to draw him out. Our film this week is Bright Road (1953).
A gentle story that tells the story of the growing relationship between a young boy and his teacher, this is an effective film that features many outstanding performances. First and foremost is Dorothy Dandridge in her first major role as the schoolteacher who won't give up on this neglected child. So many films about teachers and students portray adversarial relationship. This one does not. Ms. Dandridge plays a teacher who wants to understand her students' needs, not just teach at them. Ms. Dandridge had worked for years with her sister, Vivian as part of The Dandridge Sisters, a singing trio (the other member was Etta Jones). She worked again with Vivian here - Vivian worked as a hairdresser for the cast, then filled in as Miss Nelson, one of the other teachers (AFI catalog).
Barbara Ann Sanders (later Barbara Randolph) also had a short film. She's lovely as Tanya Hamilton, C.T.'s best friend. She would later go on to a successful career as a singer, working with a number of singing groups. She'd later appear in Guess Who's Coming to Dinner (1967), her final film appearance. She died in 2002 at the age of 60.
Other performances worth mentioning are Maidie Norman as Tanya's mother. She has only one scene (with Ms. Dandridge); it's a touching and sad moment that is beautifully done by Ms. Norman. Robert Horton (Dr. Mitchell) plays a dedicated doctor who is called to aid a sick child. He's very good in the part. It's also interesting that he is the only white actor in the film, nor is it called out that his practice is dedicated to a Black community.
The director of the film, Gerald Mayer, was the nephew of Louis B. Mayer, and spent most of his career in B films. He would eventually work successfully in television (TCM article).
The New York Times review by Bosley Crowther was lukewarm - he enjoyed the story, such as it was, but had expected more social commentary. We found this a warm and enjoyable film, that tells the story of a struggling community well. We'll leave you with a trailer:
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