At the outbreak of the Second World War, Captain Beth Ainsley (Jane Wyatt) is onboard a military transport ship. This is not her first time in the military, and the action of Army Surgeon (1942) flashes back to Beth's experiences as a member of the Army Nurse Corps in World War I. We later find out that Beth is a physician, who has chosen to serve her country in the only way she can, by volunteering as a nurse. In Europe, she meets a former admirer, pilot Lieutenant Philip Harvey (Kent Taylor), and Captain James Mason (James Ellison), a doctor who is eager to get to the front. This is not a particularly good film - the story is all over the place, and it never really decides what it want to be. Is it a love story? A war movie? You'll not be able to decide, even after watching it. By trying to be all things to all people, what you really have is a mess. While Jane Wyatt is always a pleasure to watch, we found Kent Taylor to be quite annoying. According to this TCM article, Randolph Scott was considered for this part; we were intrigued as how this would have changed the quality of the film. Not that he could have done much for the overall story; he'd have needed a script doctor for that. This AFI catalog entry does give an excuse for Taylor's lackluster performance - following a fight scene with Ellison, he ended up with SEVEN broken ribs. Likewise James Ellison, a decent, if slight actor (you might know him from Vivacious Lady or The Plainsman) only gets to bristle periodically. Sure, it's a B picture, but they really could have done better. And that was reflected in the box office - it lost over $46,000.
As someone who is interested in the portrayal of women physicians on film, this did have at least one component that was fascinating. The film is very vague about Beth's military position in the frame portions of the film. We know she is an officer - a Captain in fact (and was a Lieutenant in the First World War). But, since the Sparkman-Johnson Bill, which allowed women physicians to serve in the military AS physicians (Dr. Margaret D. Craighill was the first woman doctor to enter the military), was not passed until April of 1943, Beth cannot be in as a physician. Do the authors intend this to be a call to the public for women physicians in the armed forces? And, I'm told that her rank as Captain does speak to the fact that she has re-entered the service, not stayed in the military. Were she a career nurse now, her rank would be higher. We have to assume that she is back in as a nurse, perhaps hoping that she will eventually be allowed to practice her real profession. Next week, we'll return with a more interesting film. Sorry, we just can't recommend this one.
Based on the 1933 novel by James Hilton, Lost Horizon (1937) tells the story of Robert Conway (Ronald Colman), a highly respected author, former soldier, and now an influential member of the British diplomatic corp. When unrest breaks out in the Chinese city of Baskul, Robert and his younger brother George (John Howard) go there to rescue the 90 white citizens who are trapped in the city. The last plane out is boarded by Robert and George, along with three other escapees: Henry Barnard (Thomas Mitchell), a swindler who escaped to China to avoid imprisonment, Alexander P. Lovett (Edward Everett Horton), a paleontologist who was one of Barnard's victims, and Gloria Stone (Isabel Jewell), a woman with a past who is dying of tuberculosis. Exhausted by their ordeal, the group does not notice til the morning that they are flying in the wrong direction, and have been kidnapped by an unknown Asian man. The plane crash-lands in the Himalayans, and the group is miraculously rescued by Chang (H.B. Warner), who takes them to his home, the monastery of Shangri-La. The group's immediate reaction is to demand ways to get home to "civilization," but very quickly they, one by one, begin to think about making a life in Shangi-La. Except George, who is desperate to return to London, and to drag his brother there by whatever means possible.
If you saw this film before the restoration that was released in 1986, you owe yourself another viewing. The film was severely cut by the studio in both 1937 and in 1942, deleting a lot of information on the motivations of the the secondary characters. It was those expurgated versions that made their way to television in later years. Though some of the filmed footage is lost, a soundtrack of the full film was discovered in 1973; using still photographs, the American Film Institute was able to reconstruct the film according to director Frank Capra's original vision. The DVD version of the film also includes an alternate ending to the film (which was thankfully eliminated from the film early one) - Capra's ending is far better (this article from the AFI Catalog goes into more detail on the film's production, and this article in the Chicago Tribune gives a more complete outline of the scenes that were added to the restored version). James Hilton based his tale of Shangri-La on another legendary location - the mythical Tibetan city of Shambala. This article from PBS's In Search of Myths and Heroes will provide a little more information on Hilton's inspiration for the place of perfect harmony. Principle photography on the film ran from March 23 to July 17, 1936, and in the months before and during production, Germany occupied the Rhineland, and Italy invaded Ethiopia. With Hitler beginning his reign of terror, it was becoming apparent to Europeans - and to Americans - that another war was in the offing. Though written by Hilton between the wars, by the time the film was released in
1937, Robert's despair of a world gone mad was perfectly relate-able to
the contemporary audience.
The character of George, as portrayed by John Howard, is an interesting one. George has spent his life reflecting in his brother's glory; were he to stay in Shangri-la, his one source of self-esteem - that of being the great Robert's brother - would be gone. At first, it's easy to sympathize with George; the group is being lied to, and he is more than angry at being held against his will. But Howard brings George's resentment to a fever pitch. Ultimately, it's hard to like him - he claims to be in love with Maria, but his actions don't speak of love - they display his willingness to use any means or any one to get out. John Howard does an excellent job of creating a character that has no self esteem, but much pride. Sam Jaffe, who portrays the High Lama, was 46 when this film was released, and this was only his third feature film. His career began in the Yiddish theatre; during the period from 1918 to 1937, he appeared in 14 Broadway plays, including The Jazz Singer and Grand Hotel. He was actually the third choice for the role of the High Lama - the first two choices (A. E. Anson and Henry Walthall) both died before filming began. This TCM article provides more detail on the early casting of the film. Two years after this Lost Horizon, Jaffe starred in the title role in Gunga Din (1939). He later appeared in such notable productions as The Asphalt Jungle (1950) and The Day the Earth Stood Still (1951), but by 1955, he was blacklisted after he refused to name names to HUAC. His greatest fame occurred in television, when he appeared as Ben Casey's mentor, Dr. Zorba, in Ben Casey. Married twice (his first marriage to Lillian Taiz ended with her death in 1941. His second was to the actress Bettye Ackerman - who appeared as Dr. Maggie Graham in Ben Casey), he continued acting until his death in 1984 (aged 93).
Another actor whose fame came primarily from television was the lovely Jane Wyatt, who appears as Sondra, the young woman who encourages the High Lama to bring Robert Conway to Shangri-La. While this was not her first film, it was probably her most notable one. For the most part, Ms. Wyatt was relegated to starring roles in B movies. By the 1950s, she had switched over to television, where she became best known for her role as Margaret Anderson in Father Knows Best (1954-1960). She would create the role of another important mother when she appeared as Spock's human mother, Amanda in the episode Journey to Babel in Star Trek - a role she would reprise in Star Trek: The Voyage Home (1986). She was one of the many performers who went to Washington, DC in 1947 to protest the HUAC hearings. She continued acting until 1992 (her final role was as older Vicki in The Young Indiana Jones Chronicles). Married for 65 years, Ms. Wyatt died in 2006, at the age of 96. Lost Horizon was remade as a musical in 1973, with Peter Finch as Conway, Michael York as George, and Charles Boyer as the High Lama. With not a singer in the bunch, the film was not especially noteworthy. We'll leave you with a trailer from the film, and a strong recommendation to see it:
