Glenn is Framed

Michael Lambert (Glenn Ford) is a down-on-his-luck mining engineer. He agreed to drive a truck to get to a place where he can find a job, but is arrested for running the truck into another car. He’s bailed out by Paula Craig (Janis Carter), but doesn’t know why.  He is also doesn’t know he is about to be Framed (1947).

In the spirit of honesty, I'll start by mentioning that I'm not a fan of Glenn Ford.  He's done some good work (Gilda, primarily), but by and large I find him a one-dimensional actor, who does self-pity or anger, and not much more.  And I didn't find more than that in this film. In the final analysis, two members of our group liked the movie, and two didn't  The two that enjoyed it liked the story, though they said it could have been tighter.  

We know that Michael Lambert has managed to get to his destination to find a job as a mining engineer, but we know precious little more about him, except that he is an alcoholic. While the story doesn't tell us why he drinks so much, it works as a plot point - it makes it easier to set him up as a victim. 

We were also not impressed with Janis Carter. From her first second on film, we know that Paula is up to no good; it's apparent that Michael knows it too.  Yet, he still keeps hanging around her.  This is no The Postman Always Rings Twice, because there is no chemistry or connection between the characters.  It seems clear that they are not enamored of one another, nor are they trusting of one another.  Ms. Carter was cast in hopes of creating a new Gilda for Mr. Ford (TCM article). Sadly, it didn't work

Barry Sullivan (Stephen Price), however is good as the dishonest banker who's clearly using Paula to his own ends.  That there doesn't really seem to be much between them works in the movie's favor  - their relationship is a business deal, pure and simple, and Mr. Sullivan's distancing works for the film. 

Two minor characters are worth noting. Edgar Buchanan (Jeff Cunningham) plays a prospector who hires Michael as his mining engineer. It's the one clue we have that Michael is good at his job, because Jeff is a smart man, not the ditzy movie prospector we generally expect to see.  Karen Morley (Mrs. Price) has a nice scene as Barry Sullivan's neglected wife.  She does a lot with the character in very little screen time, and we were sorry not to see more of her.

The original title for the movie was They Walk Alone (AFI Catalog).  The New York Times review by A. H. Weiler (A.W.) was positive. It's got a decent story, and if you can overlook some of the casting issues, it's an interesting enough film to watch.  We'll leave you with a scene featuring our three leads:

George Finds a Body

Actress Mona Harrison (Adele Jergens) is expecting a package from costume designer Hector Rose. The package that arrives, C.O.D., which should have contained her Oscar ceremony dress, instead contains the body of Mr. Rose. Panicked, Mona calls reporter Joe Medford (George Brent), to make the body go away. But Joe has other ideas - after calling a photographer - and the police, Joe begins to investigate the murder, in hopes of a big scoop. But he has a slight problem in the form of Rosemary Durant (Joan Blondell), his competition on a rival newspaper. Our film this week is The Corpse Came C.O.D. (1947)

We have here yet another film that wants to be The Thin Man, but isn't.  George Brent and Joan Blondell just don't have the chemistry required to make that happen. Excellent actors both, they just don't gel the way Myrna Loy and William Powell do; their's is a unique chemistry that just is not found in this film. Ms. Blondell and Mr. Brent were better matched in Miss Pinkerton, though that was more her film (this is centered on Joe). Ms. Blondell was not the first choice for Rosemary - Veronica Lake was considered for the role. (AFI Catalog)

That being said, The Corpse Came C.O.D. is not a bad movie. It could stand some editing (it is 87 minutes long. It wouldn't have hurt had it lost about 7-10 minutes). A running gag in which Ms. Blondell ends up locked in a closet goes on for way too long, and much of the slapstick is really unnecessary. There are also a number of missing transitions; for example, early in the film, Joe confesses to a colleague his deep love for Mona, yet by the middle of the film, he's discussing marriage to Rosemary. There's almost a whiplash effect when he says it. He's like Romeo - in love with Fair Rosamund, and two seconds later, passionate about Juliet. But Romeo has an excuse - he's only 16!

All that aside, you have a pretty good mystery story. The  motives are well designed, and the murderer is a surprise, without being completely from left-field. The story is based on a novel by Jimmy Starr, who wrote three Joe Medford novels in total (Hardboiled in Hollywood By David E. Wilt). We wondered if the studio was looking for another series, and it just didn't pan out. If you can ignore some of the silliness, and just concentrate on the mystery, you've got a pretty good whodunit.

Jim Bannon, who plays Detective Mark Wilson was best known as a Western actor, particularly in the role of Red Ryder.  By the 1950s, he had transitioned to television, but didn't really find a good venue. So, in the 1960s, he moved to Arizona, where he worked as a radio announcer (his career prior to moving into acting) and as host of an afternoon TV show.  He was married for 12 years to Bea Benaderet (they divorced in 1950); the couple had two children, including Jack Bannon, who you may remember from Lou Grant. Mr. Bannon, senior died in 1984 of emphysema, at the age of 73.

The opening sequences of the film, with stock footage of Hollywood and images of the various gossip columnists of the day was very entertaining, as were the nightclub scenes. While this isn't a great film, it has some moments, and if you happen to run into it, it might be worth a bit of your time.