Is Robert a Liar?

Larry Balantine (Robert Young) is on trial for the murder of his lover, Verna Carlson (Susan Hayward). His defense attorney has put him on the stand to tell his bizarre tale of adultery and larceny.  Our film tonight is They Won't Believe Me (1947).

Robert Young gives an excellent performance as a suave and rather creepy opportunist. Told in flashback, his story IS unbelievable, but the film leaves it entirely to the viewer to decide fact from fiction. That Larry is so reprehensible a human being makes the audience doubt his word. Yet, his story is so entirely ludicrous, one wonders if even he could make it up.

Mr. Young's film career started in 1931 (he had three uncredited appearances in short films in 1928 and 1929), with a small role in a Charlie Chan film, The Black Camel. He worked consistently in supporting and leading roles, appearing in H.M. Pulham, Esq.(1942), Crossfire (1947), and Three Comrades (1938). In 1954, he started a new phase of his career, as the star of Father Knows Best, a TV series which ran for six years. In 1969, he began work on another TV series, as the kindly Marcus Welby, M.D., which ran for seven years. He worked in television until 1988. Married to Betty Henderson for 61 years, he became a spokesperson mental health issues - he had suffered from depression and alcoholism for thirty years. The Robert Young Community Mental Health Center is named for him because of his work to support mental health issues with the passage of the 708 Illinois Tax Referendum. Mr. Young died in 1998, at the age of 91 - he was survived by his four daughters and many grandchildren.

Mr. Young is ably supported by three excellent actresses.  Susan Hayward is believable as Verna Carlson, his secretary and mistress. She's far smarter than Larry, ambitious, and independent. She's willing to marry for money - she's already planning to marry Larry's partner Trenton (Tom Powers) when Larry shows up. What at first begins as a flirtation turns into something deeper, as the pair try to decide if they want each other, or wealthy spouses. Ms. Hayward had been borrowed Walter Wanger, and RKO had to shoot around her as she finished up work on Smash Up: The Story of a Woman (1947) (AFI catalog).

Jane Greer's Janice Bell is also smart, but she is far more gullible than Verna.  Where Verna has no illusions about Larry's character, Janice believes he is better than he is, even falling for him when she has been convinced he might be a murderer.  Of the three actresses, her's is the least fleshed out character. It's hard to say we get to know Janice in great detail. But the part would bring her much more attention, landing Ms. Greer what is possibly her most famous film, Out of the Past (1947) (TCM article).

Rita Johnson is probably best remembered today for two villains - in The Major and the Minor (1942) and Here Comes Mr. Jordan (1941). While Greta  Balantine  is a bit of conniver, she's a very sympathetic character.  For some reason, she genuinely loves Larry, even though she is well aware of his infidelities and the fact that he married her for her money.  Regardless, she's willing to overlook his straying, and give him some of the things he wants, but on her terms.  Sadly, Larry is better at thwarting her - he has no affection for her. She's merely a bank account.

The film was produced by Joan Harrison, who was at this time one of only three female producers in Hollywood.  Ms. Harrison's career was discussed in some detail in the Noir Alley intro and outro to the film.  Eddie Muller discussed Ms. Harrison's career with Christina Lane, the author of Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock.

New York Times review by A. H. Weiler (A.W.) was positive, callinig the film "engrossing entertainment." Sadly, in 1957, 15 minutes were cut from the film in order to make it more attractive as part of a double feature. It was this cut version that was available from that time forward.  In 2021, the film was released on BluRay (and on Turner Classic Movies) with the cut scenes restored.

We highly recommend this excellent film - and try to see the original version.  We'll leave you with this excerpt featuring Robert Young, Susan Hayward, and Rita Johnson.

Robert Avoids Heaven

Joe Pendleton (Robert Montgomery) is a boxer with dreams of becoming the champion. He's trained long and hard, and is ready for the bout that will propel him to stardom. He's in his private plane, heading for New York when his aircraft is damaged. Plummeting earthbound, his spirit is plucked from his body by overeager heavenly messenger 7013 (Edward Everett Horton).  When Joe protests to Mr. Jordan (Claude Rains) that he doesn't feel dead, Mr. Jordan discovers that Joe is destined to live another 50 years! Since Joe's body is gone (cremated by Joe's manager Max Corkle (James Gleason)), Mr. Jordan and Joe go out to find Joe a new body. Here Comes Mr. Jordan (1941) tells the story of that quest.

I'm truly of the opinion that Robert Montgomery is one of our most underrated film actors. He's good in everything he does, and can play the villain, the anti-hero, and the hero with equal aplomb. He's delightful as Joe Pendleton, a man of deep feelings and simple tastes. He loves his plane, his saxophone, his dear friend Max, and ultimately, Bette Logan (Evelyn Keyes). His quest for a new body is governed by the purity of his nature - he wants simply what he is entitled to, and wants the body he is given to match the one that he had. After all, he kept it "in the pink!"

Robert Montgomery was born into a privileged family, but that all ended with his father's suicide when Robert was 18. He decided to try his hand at acting and writing; by 1924, he was appearing on Broadway, where he was in 7 plays (through 1928). He signed a contract with MGM in 1929, where his stage training was essential in the booming sound era; he was often the juvenile in this period (as in Untamed (1929)).  In 1937, he showed a new side of his talent in Night Must Fall,  as an insane killer. World War II disrupted his career - he volunteered to serve in the Navy, rising to the rank of Lieutenant Commander. Upon his return, John Ford cast him in They Were Expendable (1945); when Ford was injured, Mr. Montgomery finished directing the film. His characterizations became even more nuanced, as he appeared in films like the film noir Lady in the Lake (1946). He turned to television, to produce his own anthology show, Robert Montgomery Presents.  Married twice, he had three children by his first wife, Elizabeth Allen. His daughter, Elizabeth, went on to perform in film and television (and is best remembered for her role in the TV series,  Bewitched). He died of cancer in 1981.

We were a bit less enthralled with Evelyn Keyes. There are times, especially at the beginning when she is pleading for her father, that she seems over-melodramatic. She improves greatly in the love scenes with Mr. Montgomery, and they have a warm relationship that is easy to appreciate. Rita Johnson, as the other woman in Joe's life - the almost widow Julia Farnsworth - is quite good as the would-be murderer. She's properly bitchy, and you eagerly await her - and her paramour Tony Abbott (John Emery) - getting their comeuppance.

The film's strength really comes from two magnificent supporting roles - Mr. Jordan and Max Corkle. James Gleason is excellent as the frequently bemused Max. His fatherly affection for Joe is apparent from the minute we first meet him, and his pain from the repeated loss of Joe is palpable. But Mr. Gleason also brings humor to the part - his inability to see Mr. Jordan, while he tries to have conversations with him make for amusing scenes, yet maintain the integrity of the character. In their review, the New York Times says that Mr. Gleason "steals the film's most comic scene as the manager with cosmic premonitions," but he never lets Max become a fool, and we are grateful for it.

What can we add about Claude Rains that hasn't already been said? He's delightful as Mr. Jordan - warm and understanding. He cares about Joe, and about his predicament, but he has a heavenly duty to perform, and Joe isn't always willing to acknowledge that. Mr. Rains brings a sincerity to the role that perfects the movie. We believe he is an angel, and we know that Mr. Jordan will keep an eye on his charge until he meets him again in 1991. This article from the Criterion Collection talks about "the hint of steel" Mr. Rains brings to the part. It is the making of the character.

The story upon which the film was based was initially purchased as a vehicle for Cary Grant (AFI Catalog)  Years later, Warren Beatty would ask him to play Mr. Jordan in his remake.  (Evenings with Cary Grant by Nancy Nelson). When Mr. Grant said no, Mr. Beatty cast James Mason in his 1978  Heaven Can Wait - which was, in fact, the title of the original play by Harry Segall (TCM article). 

Lux Radio Theatre in January 1942 aired a version of the story with Cary Grant, Evelyn Keyes, Claude Rains, and James Gleason. It was remade again as Down to Earth (2001) with Chris Rock as a comedian who is untimely snatched from his body.

We'll leave you with this trailer, and the suggestion that you give this delightful film a first (or a second) viewing: