Kay Gives Her Heart - And More

Give Me Your Heart (1936) begins with a parting - Belinda Warren (Kay Francis) and Robert Melford (Patric Knowles) have been having an affair, and it is about to end.  He is married; his wife Rosamund (Frieda Inescort) is an invalid, but he still loves her and cannot leave her. So Belinda and he part; she finds herself alone upon the death of her father - until she has the son that she and Robert conceived.  Belinda is approached by Robert's father, Lord Farrington, who asks if he may raise the child as his son's heir.  The boy will be loved and happy, and will want for nothing.  Reluctantly, Belinda agrees; finally fleeing to the U.S., where she meets Jim Baker (George Brent).  They marry, but Jim cannot understand why his wife is always unhappy. 

This is a soaper, certainly, but it's a lovely film with some great supporting performances.  Henry Stephenson is wonderful as Lord Farrington. He really is the person you would be willing to give your child to.  His affection for Belinda is apparent, and we realize that this feeling is mutual.  Also great is Roland Young as "Tubby", Belinda's dear friend, and friend to Lord Farringon.  "Tubby" functions almost as a Deus ex Machina, descending on Belinda's life to help make the changes that will make things better.  Young plays him with humor, but with a serious concern for this woman who is obviously in so much pain. And Frieda Inescort has one excellent scene towards the end of the film.

Since I'm a fan of women doctors in the movies, it was fun to see that Belinda's doctor is a woman - Dr. Florence Cudahy played by Helen Flint. A good friend to Belinda, she is also a good doctor, refusing to give the insomniac Belinda sleeping pills. Florence prefers instead to try to find the root of Belinda's pain.

As always, any Kay Francis is a pleasure. However, next time we'll be visiting another 30s actress. In the meantime, here's a trailer from this film:

Olivia Doesn't Love Errol

This week, we looked at The Charge of the Light Brigade, another Warner Brothers attempt at rewriting history.  Errol Flynn plays Major Geoffrey Vickers, a military officer in India who is engaged to Elsa Campbell (Olivia de Havilland).  Only problem is, Elsa had fallen in love with Geoffrey's younger brother Captain Perry Vickers (Patric Knowles) while both were in Calcutta (and Geoffrey was off on a mission).  Naturally, this causes a falling-out between the brothers, and some antagonism from Elsa's father (Donald Crisp), who MUCH prefers the gallant Major Vickers to his office-bound sibling.

When all the inhabitants of Chukoti are massacred by Surat Khan (who spares Geoffrey and Elsa because of a debt he owes to Geoffrey), revenge becomes the goal of the Light Brigade.  And Geoffrey, who has nothing to live for without Elsa, is the leader in the Light Brigade's charge to kill Surat Khan (who has escaped to the Crimea!)

What any of this has to do with the actual Charge is a mystery.  They use a few lines from Tennyson, and the costuming is pretty much on target, but any other relation to history is purely coincidental.  The appeal of the film though, lies not in its plot; the movie is all Flynn.  If there is a problem with it, it's just that it is hard to understand why Olivia would prefer Patric Knowles to Flynn (No offence to Knowles, but he has NOTHING on Flynn.  An attractive man, Patric Knowles just does not have the electricity that Flynn brings to all his roles.)

The ending scene is glorious. So what if it is totally wrong? Only the Warner Brothers could make you think that the British actually WON the Charge of the Light Brigade! Here's a trailer:

Next week, we'll join Olivia and Errol again as the rewrite history.

Olivia & Errol & Rosalind & Patric

This week, our movie is the 1938 comedy Four's a Crowd.  Olivia plays Lorri Dillingwell, the daughter of a wealthy businessman.  She is engaged to publisher Patterson Buckley (Patric Knowles), who is being forced to shut down his newspaper. Jean Christy (Rosalind Russell), a reporter about to lose her job, decided to entice former reporter (and now successful PR man) Robert Kensington Lansford (Errol Flynn) back to the paper.  Easier said than done, of course; Bob decides to use Pat as a means to potential client Dillingham (thought Lorri, of course). Jean is in love with Bob; Pat is in love with Lorri; Lorri develops a mad crush on Bob. And Bob? Well, we THINK he loves Jean. Or maybe he loves Lorri. Or maybe he just is in it for the money.  We're not exactly sure for quite a while.  But, it's a WB comedy, so it all turns out right in the end (and I won't tell you who ends up with whom.  You'll have to watch the film).

Sure, this is a little piece of fluff. Rather silly at times, but with such wonderful actors, how can you go wrong? Olivia is back playing a character very similar to Marcia West in It's Love I'm After - somewhat silly, and rather easily swayed.  Errol Flynn gets to be decidedly silly - the scenes of him running from the dogs that guard the Dillingham mansion are a riot (and it doesn't hurt that we get to see him without his shirt. The man had QUITE a nice physique).  

Rosalind Russell is very adorable as Jean, who knows what she wants, but can't seem to quite get him into her grasp.  And while none of us are particular fans of Patric Knowles as a rule, he's actually pretty good here.  He manages to hold his own, for the most part, with this powerhouse of talent.   

 

As always, we see some nice character parts - Walter Connolly as Mr. Dillingham, is, as always, very funny. And Margaret Hamilton as Amy, who would easily walk on hot coals for Bob.  Both actors it is a pleasure to see.  We do get to see a lot of Connolly. Not enough of Hamilton.

Next week, we'll be watching something none of use were familiar with: Call it a Day. In the meantime, here's a trailer to introduce you to the characters: